This is now my favorite volume of the many, many Akashic Noir series.
It’s a high quality collection without a dud in the bunch.
A few things struck me. Three that I’ll talk about here.
First, I was surprised to find so little crime in Mississippi Noir, edited by Tom Franklin. Does an actual crime have to take place for a story to be considered noir? It’s been a while since I’ve read something from this series, but as I recall, the others featured criminal activity in nearly every story.
Here, the focus is really on love. Almost all of the stories in Mississippi feature a set of lovers, if not a love triangle. Love is a prominent theme in noir stories, it might even be a requirement for the genre. Think The Postman Always Rings Twice, or Bonnie and Clyde. But while those are about love, they rely on criminal activity to move the story along.
What if you took the crime out of the story and kept the lover’s relationship going? What sort of end would they have come to if there had been no murder?
That’s what you’ll find in Mississippi Noir and the results make for some excellent reading. By the end, I was starting to wonder if we should count Eudora Welty and William Faulkner as noir. Stories like Petrified Man and Barn Burning are basically perfect for inclusion in Mississippi Noir. Flannery O’Connor fits perfectly into the noir genre, too.
The stories in Mississippi Noir are divided into four sections: Conquest and Revenge, Wayward Youth, Bloodlines, and Skipping Town. Does that not sound like what you would expect in a series of stories set in Mississippi?
Which brings me to my second topic, that of place. The other Noir books I have read did a very good job conjuring place, but none have done quite the thorough job Mississippi Noir does. If you live in America, you already have an image of Mississippi, even if you have never been there. The humidity, the backwoods, the small-town people, the poverty, the plantation architecture, the race relations, the whole Southern Gothic experience. It may be pretty easy for a writer to summon Mississippi for most American readers, but, that said, I found the authors here did an excellent job of it with a few caveats.
The stories, but for one, are all set in small-town Mississippi, the Mississippi most Americans expect. And they tended to be about white folks.
Which brings me round to my third topic.
Judging from the author photos in the back of the book, four of the authors included are African-American. While I didn’t keep a running tally, as I recall, six maybe seven of the sixteen stories include Black characters. Mississippi is 37% Black, the highest percentage of any state in America.
I expected this to feature in more of the stories than it did.
I’m not sure that’s a complaint. This has become an important issue in the U.S. lately. Rather, it’s long been an important issue that has recently been moved from the back burner to the front of the stove. I would have expected an anthology published in 2016 to be a bit more inclusive.
Regardless, Mississippi Noir moves to the bookcase in the study where I keep all the books I plan to reread in retirement. It is the only one of the Noir series to find a home there, so far.
7 thoughts on “Mississippi Noir is for Lovers”
Were they explicitly white folks? I’ve become a lot more aware of how I read a character to be “like me” even if there’s no textual reason he should be, sometimes even missing a description of her skin color.
I see your point. I can’t answer your question with 100% confidence since I didn’t keep track as I read them all and I read them over several weeks, but I’m willing to bet that my impression is correct. It’s the one fault I have with the book.
My impression of Mississippi is small town Mississippi, since I grew up in Alabama (urban) and my cousins lived in a small town in Mississippi (Batesville, mentioned in Megan Abbott’s story). My uncle was owner and editor of the hometown newspaper. But it has been over 40 years since I moved to California, so my impressions are not up to date.
In the last year I have acquired several of the books in the Akashic Noir series but I don’t think I have read all the stories in any of them. I read four in this one so far. I liked Abbott’s story and the other one I remember specifically was titled “Digits” and was a bit uncomfortable for me.
New Orleans Noir: The Classics does include a story by Eudora Welty.
I think most Americans equate Mississippi with “small town Mississippi.” I don’t know how accurate that is, but it certainly seemed to be the case with the stories here. I encourage you to read more of them. I loved this anthology.
When I was reading a couple of other books set in Mississippi I was surprised to find how few large cities are in the state. And I lived next door for 20 plus years. So you are right, it is mostly small towns and rural areas. Still surprises me, though.
Crime-free noir? Weird! Still, I’m encouraged by how atmospheric you found this collection. Also, love the sound of your retirement reread bookcase. Sounds like a great idea–I’d need to winnow down my backlog before I could even consider such a strategy, but I do like the idea!
I would not say “Crime free” but much closer to it than I was expecting. Quite a few stories with on real crime. But I would still call them all “noir”
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